sábado, 23 de noviembre de 2013

MITCH GRIFFITHS





















              Consequences

                                Fitting Room








                               St Oxford Angel


                                See No Evil, Her No Evil, Speak No Evil














MITCH GRIFFITHS, London,  Mitch Griffiths uses a traditional, almost forgotten style of painting, inspired by the light and composition of Old Master paintings, but he uses this style to depict the issues concerning 21st-century British society. His main subject is the transient and throwaway nature of contemporary culture, which is held in stark contrast to the permanence and indelibility of oil paint on canvas. 

The work of contemporary artist Mitch Griffiths apprehends the viewer through a dissection of twenty first century existence.


Richly  detailed, viscerally layered canvases disclose scenes which simultaneously examine notions of empire, guilt, celebrity and first world entitlement; whilst proffering to expose the essential vacuity of a society drenched in mass media and consumed by consumption itself. Griffiths employs an unflinching high realism to pick apart ideas which promise to haunt with an unnerving familiarity.

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