miércoles, 20 de noviembre de 2013

ROSE FREYMUTH-FRAZIER







 
2009

              Stimulus, 53x50''
      Woman Adorned
                            Asia, 32x24''

                             Dalia, 30x20'
      Grand Old Party, 70x57'', Oil On Linen
      Litter, 64x96'', Oil On Linen
         Golden Delicious, 36x72''
             Red Head

                                   Domestic Bliss













            ROSE FREYMUTH-FRAZIER Secret Keeper 11” x 10”
               oil on linen 2012 on sale contact palomad1@hotmail.com



                            Dehorned- The Unicorn In Captivity



         " World Domination" 30x34'' Oil On Linen, 2014, on sale contact palomad1@hotmail.com

                                      Wedding Party


R. Freymuth-Frazier was born and raised in Nevada City, California - a small gold rush town in the foothills of the Sierra Nevada Mountains. After graduating from the Interlochen Arts Academy in Michigan she moved to New York City to study oil painting.  Seeking rigorous, technical training that most schools could not offer, she studied in a tradition common to painters of the past, through full-time apprenticeships. Her first apprenticeship was for two years under Steven Assael in his New York City studio and her second was with Odd Nerdrum in Norway.  

References from a broad swath of art history can be found in Freymuth-Frazier’s solitary subjects. Influences range from Balthus’s discomforting depictions of preadolescence, and the queen of Kitsch, Margaret Keane’s “Big Eyed” children and animals, to the heavy chiaroscuro and technical rigor of Caravaggio and Rembrandt. This unique combination results in something of a hybrid between Lowbrow esthetic and Old Master technique.

Cultural references spanning 2000 years can also be found in Freymuth-Frazier’s work, from the Roman sculpture Sleeping Hermaphrodite, 2nd century A.D., to the recent porn video 2 Girls 1 Cup. Using a complex language of symbolism like that found in medieval religious icons or the Unicorn Tapestries, the paintings address universal themes such as child development, sexuality, loss of innocence, consumerism, domestication, gender roles, androgyny and body image in our society today.

Freymuth-Frazier’s work can be found in collections internationally such as The Seven Bridges Foundation in Connecticut and the John and Diane Marek Collection, in Tennessee. She has received attention from numerous Arts publications including ArtNews, The Chicago tribune, Art Papers, and American Artist Magazine.

Freymuth-Frazier lives and paints in New York City.


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